A question of character. The idea of 'good character' sounds old-fashioned and patronizing, but it may be the answer to some of our most entrenched social problems writes Richard Reeves.
The first headmaster of Stowe school, JF Roxburgh, declared his goal to be turning out young men who would be "acceptable at a dance and invaluable in a shipwreck." A mixture of courtesy and courage used to be essential to the idea of a British citizen's character. Brits were the sort of people who knew both how to survive a Blitz and queue politely. Similarly, Robert Baden-Powell, the founder of the scout movement, aimed to induce in his young charges "some of the spirit of self-negation, self-discipline, sense of humour, responsibility, helpfulness to others, loyalty and patriotism which go to make 'character.'" He described his movement as nothing less than a "character factory."
But in the postwar shift towards a less constrained and judgemental society—"character-talk" in Stefan Collini's phrase—dropped out of public discourse, except when considering someone's suitability for high office. The idea of good character came to sound old-fashioned and patronising.
--
The three key ingredients of a good character are: a sense of personal agency or self-direction; an acceptance of personal responsibility; and effective regulation of one's own emotions, in particular the ability to resist temptation or at least defer gratification.
--
inequality of character may now be as important as inequality of economic resources.
The Research Digest of the British Psychological Society hails The return of 'good character' and its importance for a successful society while our fave Sissy Willis writes It's the character, stupid.