Some good advice for those writing their life stories.
The Judgment of Memory by Joseph Bottum
There is some dispute about who coined the description of bad biographies as adding a “new terror to death.” It may have been John Arbuthnot, describing the torrent of miserable, catchpenny books that eighteenth-century publishers issued immediately after the death of anyone famous. Regardless, the phrase ought to have been reserved for the way deceased parents have been treated in the recollections of childhood published over the last decade and a half. Who would risk bringing up literary children, if the reward is those children’s adding this new terror to their parents’ deaths?
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The death of parents leaves their honor in their children’s hands, and the cruel accuracies we might fling in anger against them while they are alive seem even more wrong to use against them once they are gone. “To the living, we owe respect; to the dead, only truth,” Voltaire once opined. It’s a good line: high-minded, confident, sententious in the way only enlightened French philosophes could manage with any aplomb. But it also feels exactly backward, particularly about those we knew and loved. To squabble with our vanished parents about how they lived their lives seems more than a metaphysical nullity. It is, in fact, a moral failing.
If love is true—that is to say, a true thing: a really existing object to which the universe itself must bend—then there remains a place for reticence, and secrets swallowed, and the dead allowed to keep their darkness to themselves.