Druksland, a cartographic display capturing the life story of artist Michael Druk.
The Israeli artist Michael Druks mapped Druksland, a cartographic display capturing his life story. Outlining the shape of his head, Druks’ conceptual map incorporates features you would see on a topographical map, including coordinates, bodies of water, and a map legend. Yet the map also serves as an unconventional self-portrait, the coordinates corresponding to major life events, significant people, and important institutions. Druks shows how the contours of a face could be a more complex terrain than any geology on Earth....
Just like a topographical map, the lines and graduated hues show elevation, while the blue represents bodies of water and the brown indicates mountain ranges. “The eyes are like a lake,” Druks says. “The lips are a bit like a river. The blue can represent either air or water aiming either up or down—outside or inside.”
An assortment of words and phrases are scattered across his face and head, referencing influential teachers, addresses of apartments, cities, names of family members, friends, schools, galleries, and owners. He also has points with the names of fellow artists, whom Druks thought were important contributors and detractors of the Israeli art scene
Operation London Bridge: the secret plan for the days after the Queen’s death
In the plans that exist for the death of the Queen – and there are many versions, held by Buckingham Palace, the government and the BBC – most envisage that she will die after a short illness. Her family and doctors will be there....
Her eyes will be closed and Charles will be king. His siblings will kiss his hands. The first official to deal with the news will be Sir Christopher Geidt, the Queen’s private secretary, a former diplomat who was given a second knighthood in 2014, in part for planning her succession.
For a time, she will be gone without our knowing it. The information will travel like the compressional wave ahead of an earthquake, detectable only by special equipment. Governors general, ambassadors and prime ministers will learn first. Cupboards will be opened in search of black armbands, three-and-a-quarter inches wide, to be worn on the left arm.
When the Queen dies, the announcement will go out as a newsflash to the Press Association and the rest of the world’s media simultaneously. At the same instant, a footman in mourning clothes will emerge from a door at Buckingham Palace, cross the dull pink gravel and pin a black-edged notice to the gates. While he does this, the palace website will be transformed into a sombre, single page, showing the same text on a dark background.
Buckingham Palace, meanwhile, has a policy of not commenting on funeral arrangements for members of the royal family.
And yet this taboo, like much to do with the monarchy, is not entirely rational, and masks a parallel reality. The next great rupture in Britain’s national life has, in fact, been planned to the minute. It involves matters of major public importance, will be paid for by us, and is definitely going to happen......
Coping with the way these events fall is the next great challenge of the House of Windsor, the last European royal family to practise coronations and to persist – with the complicity of a willing public – in the magic of the whole enterprise. That is why the planning for the Queen’s death and its ceremonial aftermath is so extensive. Succession is part of the job. It is an opportunity for order to be affirmed. Queen Victoria had written down the contents of her coffin by 1875. The Queen Mother’s funeral was rehearsed for 22 years. Louis Mountbatten, the last Viceroy of India, prepared a winter and a summer menu for his funeral lunch. London Bridge is the Queen’s exit plan. “It’s history,” as one of her courtiers said. It will be 10 days of sorrow and spectacle in which, rather like the dazzling mirror of the monarchy itself, we will revel in who we were and avoid the question of what we have become.
The first plans for London Bridge date back to the 1960s, before being refined in detail at the turn of the century. Since then, there have been meetings two or three times a year for the various actors involved (around a dozen government departments, the police, army, broadcasters and the Royal Parks) in Church House, Westminster, the Palace, or elsewhere in Whitehall. Participants described them to me as deeply civil and methodical. “Everyone around the world is looking to us to do this again perfectly,” said one, “and we will.”